Lúcia Pires’ work lies between Cinema and Theatre, and it is no coincidence that in “Àlbum de Família”, the project that won the Projecto Casa grant, the chosen medium is precisely audiovisual. The piece carries an intimacy that resists the format of a synopsis, and the author prefers to write: “In a frame, you show me my most beloved people. I see them, I find them. I devour them with my gaze. They are mine forever. I want to return to those laps where I no longer fit. I no longer fit. The clothes of my childhood that I still try to wear are too tight on me. I try to fit into my own photograph. But I no longer fit.”